Movies like “Vyhnání z ráje”

Under the directions of the Minister for Information and Broadcasting, the Indian Censor Board prepares a list of cuts for Bollywood film producer, Vikramjeet’s new movie “Aane Wala Kal”. Vikramjeet is unhappy and decides to meet the Minister himself to appeal against these cuts, only to find out that the Minister favors even more cuts. Then Vikramjeet shows this movie in a private theatre to an audience from all walks of life, he then takes their written opinion, smuggles a copy to America, just in time to ensure that it is nominated for an Oscar. This is where Vikramjeet’s troubles start as the Censor Board refuses to grant a “U” certificate; he is arrested for smuggling the movie without permission from the Reserve Bank of India. The only way he can escape the wrath of the authorities is getting some fans and stars of his movie to gather some dirt on the Censor Board members and expose them publicly. But will this pacify the authorities, or will it aggravate the situation. Watch what the wily 80-year old veteran does to try and show his movie uncut and with the “U” rating.

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From cult director Alex Cox (Repo Man; Sid and Nancy) comes this modernised adaptation of Thomas Middleton’s celebrated play from 1607. It tells the story of a man whose wife is murdered on their wedding day and his desire to exact revenge on the murderer. Set in a post-apocalyptic Liverpool of the future, Vindici (Christopher Eccleston – Let Him have It; Elizabeth; 28 Days Later; Tv’s Dr Who) returns from a self-imposed exile to bring down those responsible for his wife’s murder. While his family have fallen on hard times, the murderer – known as The Duke (Derek Jacobi – Day of the Jackal; Gosford Park; Tv’s- I Claudius) – has become rich, p

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A famous belly dancer named Cobra who fascinates all people is shot by a man he loves one day and is crippled. the movie tells us the gypsies’ own world and lifestyle in a story of love, hatred and death.

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In Montevideo, Jara works the graveyard shift monitoring security cameras at a supermarket. He’s about 30, solitary, quiet, and big. He watches TV, likes heavy metal, and sometimes works as a bouncer at a disco. One night he notices one of the cleaning crew, Julia; he watches her via the cameras as she works, then follows some days as she goes to an Internet café, the beach, shopping, or the movies. He stays out of her sight and never talks to her. Thinking she may be hiding somewhere in the store with a male co-worker, Jarita breaks some rules and gets suspended. Then, while watching her one evening, she meets a man. What will Jara do?

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Starring Robert McAtee and Molly Leland, this independent film won over audiences and critics alike. Syndicated TV and Movie columnist David Inman wrote “A story that contains heart, humor and everyday weirdness. Like a good book it’ll stick with you.” Movie critic Richard Propes wrote “One of those indescribable indie flicks that’s unafraid to be original, out there . . . Robert McAtee and Molly Leland are both stellar.” DVD Special Features includes commentary by Robert McAtee and Producer/Editor Tony Feltner.

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A young couple marry in France in the 1940s and the film follows the arc of their marriage over the next decade. As France recovers from the trauma of the war, the wife finds herself increasingly caught up in acquiring material possessions while the husband prefers a more traditional lifestyle.

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Three women – no moral. Morality is the excuse for those who don’t dare to live their truth.Michaela, Gabriela and Lucy are angels of vice. On their motorbikes they ride through the countryside to live their pleasure. They could see a lot, but only see themselves. They call themselves angels but they are angels with dirty wings. To be a full member in the exile paradise of angels, Lucy has to prove herself and stand the tests. The new film of Roland Reber and Mira Gittner is an anthem of immorality. A holy song of egoism and a painful study about our time and a generation who rent their feelings.

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The plot revolves around three lives – a superstar, a young director and a theatre actress – and how their coming together during the process of making a film, changes them forever. The film is also a humble tribute to Satyajit Ray’s Nayak.

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A movie production company wants to make a film based on a newspaper report of a man convicted of raping his granddaughter. The producer and director interview the girl and her mother, assuring them that the film will be tastefully done. But when the women turn up for the screening, they are dismayed to find their story turned into a sexploitation flick called “Lust for Flesh.” They leave the cinema halfway, feeling they have been violated all over again.

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In the ’80s, Mack Cameron (Timothy Bottoms) was a star in his own right but now, as a middle-aged actor in Hollywood, he’s working like crazy to stay in the game. Movie shoots keep him from his wife Liz (Meredith Baxter) and two sons for long stretches of time and his marriage is suffering from father’s absence. Mack is locked in battle between work and family when he’s offered a role in a small independent film shooting in his hometown of Littleton, Texas. He grudgingly accepts the part, bringing the family along in a last ditch attempt to reconnect with his boys and save his marriage. Everything changes for twelve year-old CJ (Ben Estus) when he is cast as Mack’s co-star. Although a gifted performer, the kid is misunderstood by just about everyone. Bullies seek him out at school, while his father pushes him to play baseball like the other boys. After a promising start to the shoot, Mack’s decision to put his family first has repercussions on his career. At odds with himself, he lashes out at everyone on set nearly taking out the production along with CJ’s blossoming career. As Mack’s life unravels, CJ unknowingly inspires him to take a hard look at his own ambition and find something he didn’t know he was missing; Mack has to nearly lose it all before he discovers his heart lies not in Hollywood, but with his family in Littleton – his Paradise, Texas.

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“Notre Music” is divided in three kingdoms: Hell, Purgatory and Paradise like in the Dante’s Inferno in the Divine Comedy. Hell shows footages of many wars; Purgatory mixes reality and fiction in Sarajevo; and Paradise is a surrealistic view of a beach “protected” by the American Marines.

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WELCOME TO PARADISE is the inspirational family story of a preacher who is sent from a big city church to Paradise, a small, rural community that is in desperate need of direction. The fact that the preacher is named Debbie only complicates things. She finds a town that is stuck in complacency as well as a town that turns its back on its neediest neighbors. Debbie begins building a new vision for her congregation and the veil of indifference starts to lift. When the Paradise Church is accidentally burned down, and it’s charter is in danger of being revoked, the members rally around Debbie and in doing so, realize that a “church” is defined by it’s community, not by the four walls that house a Sunday Service. Debbie’s kindness and insight bring a blast of fresh air to this out of the way country town. It also brings her a second chance at love.

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An act of revenge takes an unexpected turn in this psychological drama from French writer and director Lola Doillon. Anna (Kristin Scott Thomas) flees a house on the outskirts of Paris and returns home, careful to tell no one where she’s been or what she’s been doing. The next day, after an ordinary day of work as an OB-GYN, Anna stops at a police station and reports that she had been kidnapped. Years before, she has performed a cesarean section on a woman who did not survive, and the patient’s Yann (Pio Marmai), driven mad by grief, abducted Anna and intended to punish her for the death of his wife and child. However, after spending several days together in Yann’s basement, he and Anna discovered their contempt for one another was giving way to more complex emotions, which complicate both of their senses of justice. Contre Toi (aka In Your Hands) was an official selection at the 2010 BFI London Film Festival.

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Although Elder Farrell and Elder Lozano are assigned together as Mormon missionary companions they are a study in contrasts. Farrell, from Utah, is bookish, sensitive, focused on seeking potential converts, and dedicated to following mission rules. Elder Lozano was shot by a rival gang when being initiated into the Latino gang of his brothers and then was converted to the LDS church while recovering at the same time as a missionary in the hospital. Due to go home in three weeks, he shows more interest in playing basketball than teaching people. One day while going door to door in Venice, California they find themselves caught in crossfire as a Latino gang does a drive-by shooting. Lozano renders aid to Carl, an African American gang member who is seriously wounded. Upon recovery, Carl thanks him and becomes interested in learning about what the missionary has to teach about redemption. Returning home, the elders find an ill man lying on the street and take him back to their apartment. He is Louis, a homeless man who preaches from a Bible on the beach just below their window. Leaving the next day for an appointment to teach Carl, they ask their pretty next door neighbor Holly, an actress, to look in upon Louis. As Carl seeks baptism to alter his life’s course, Holly and Louis tell of past deeds that have exiled them from family and friends. Elder Lozano finds missionary zeal through his encounter with Carl as Elder Farrell starts to struggle with an attraction to Holly that is not in keeping with the missionary rules he zealously has supported.

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Guido is a film director, trying to relax after his last big hit. He can’t get a moment’s peace, however, with the people who have worked with him in the past constantly looking for more work. He wrestles with his conscience, but is unable to come up with a new idea. While thinking, he starts to recall major happenings in his life, and all the women he has loved and left. An autobiographical film of Fellini, about the trials and tribulations of film making.

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