Bigga Than Ben is a crime-fuelled tale of two likeable but wayward Russian “pieces of Moscow scum” who arrive in London intent on bettering themselves and amassing an easy fortune. But it’s not long before Spiker (Andrei Chadov) and Cobakka (Ben Barnes) realise that, legally, they aren’t going to get very far. So, aided by the dodgy Artash (Ovidiu Matesan) and sidekick Spartak (Hero Fiennes-Tiffin), they learn to shoplift from supermarkets, rip off banks, joyride on the tube and turn mobile phones into crack. . Finding themselves drawn into a shadowy underworld of backstreet drug deals, chav nightclubs, refugees and nymphomaniacs, life begins to turn sour. The highs begin to fade. Spiker badly misses his girlfriend back in Moscow, and seeks consolation in drugs. When he slips into serious addiction and Artash double-crosses them, Cobakka finds himself forced into making some life-changing decisions
The story moves through the lives of two fragile yet determined people and maps a private geography of love, loss and ultimate redemption. Josh leaves his advertising career at its peak, when everyone wants either to be him or to have him. Then he walks away from it all: the money, recognition and the life. A car accident leaves his daughter suffering from “locked-in” syndrome. When everyone has given up, she starts communicating with him – or is he going mad?
A modern day train hopper fighting to become a successful musician, and a single mom battling to maintain custody of her daughter, defy their circumstances by coming together in a relationship that may change each others lives forever.
Between world wars, the Whittaker’s estate is sinking; only the iron will of Mrs. Whittaker staves off bankruptcy while she awaits her son John’s return from the continent. To her dismay, he brings a bride: an American widow who races cars. The bride, Larita, thinks she and John will visit and then go to London, where he’ll work and she’ll race. But John is to the manor born, and mother is nothing if not a master at plans and manipulation. Soon it’s all-out war between mother and bride, with John’s father, a burnt out veteran of the Great War, in the bride’s corner ineffectually. Mother has a plan to join with the neighboring estate; only Larita is in her way. Can’t we all get along?
A naïve young man. A lovelorn artist. A corruptible Lord. A deal with the Devil. It all paints a dark picture of a Victorian London and how the rich and infamous party at their peril. Here, the telling of time and its consequence of experience for life’s treasures’ takes its toll on the body, mind and soul. The haunting and bleak tale of power, greed, vanity and inevitable self-destruction is ever present amongst the deceit, opium dens and sin.
Lucy and Edmund Pevensie are stranded in Cambridge, living in the house of their obnoxious cousin Eustace, while the grown-ups Susan and Peter are living in the USA with their parents. When a painting of a ship sailing on the sea of Narnia overflows water in their room, Lucy, Edmund and Eustace are transported to the ocean of Narnia and rescued by King Caspian and the crew of the ship The Dawn Treader. Caspian explains that Narnia has been in peace for three years but before he took his throne back, his uncle tried to kill the seven lords of Telmar, who were the closest and most loyal friends of his father. They fled to The Lone Island and no one has ever heard anything about them. Now Caspian is seeking out the lords of Telmar with his Captain Drinian, the talking mouse Reepicheep and his loyal men. Soon, they discover that an evil form of green mist is threatening Narnia and the siblings and their cousin join Caspian in a quest to retrieve the seven swords of the seven lords of Telmar to save Narnia from evil.
A year has passed by since the Pevensie children stepped through the wardrobe. In Narnia, centuries have passed since the defeat of the White Witch. Now the foursome are sent back to Narnia to find that everything was destroyed and the Narnia they once knew is gone forever. They come to aid the young Prince Caspian, who is leading a group of Old Narnians to wage war against his malicious uncle Miraz, who rules Narnia with an iron fist. Will they succeed? When will Aslan return?
John Gregory, who is a seventh son of a seventh son and also the local spook, has protected his country from witches, boggarts, ghouls and all manner of things that go bump in the night. However John is not young anymore, and has been seeking an apprentice to carry on his trade. Most have failed to survive. The last hope is a young farmer’s son named Thomas Ward. Will he survive the training to become the spook that so many others couldn’t? Should he trust the girl with pointy shoes? How can Thomas stand a chance against Mother Malkin, the most dangerous witch in the county?