An instructor for an airline company, Yann Kerbec, uses flight simulators to evaluate pilots’ abilities to handle extreme conditions. But Yann has a small problem: he’s afraid of flying, a debilitating panic linked to his birth and which, in his youth, stopped him from following the woman of his dreams to the end of the world. Today Yann is thirty years old. With nostalgia and humor, he reflects upon his trauma and delivers a scathing stocktaking of his love affairs that turned to custard because of his phobia. What, with his crusade to increase airline security and trying to manage his disastrous love life, Yann has reached a crossroads: he must overcome his demons and accept to grow up.
Two unemployed computer technicians discover 2 million euros next to a dead body in a field of windmills. The money that they find deepens their pre-existing dominator-dominated relationship. The next day, a young blind girl is found dead near the site of the discovery and it seems that the stolen money had been intended to pay her ransom. Another child is then kidnapped and the police carry out an investigation, in particular a young sergeant who is fascinated by the tragic event.
Desperate to cure her near catatonic sister, intrepid authoress Adèle Blanc-Sec braves ancient Egyptian tombs and modern Egyptian lowlife to locate a mummified doctor and get him back to Paris. Her hope is that oddball Professor Espérandieu will then use his unusual powers to bring the doctor back to life so he, in turn, can use his centuries-old skills on the unfortunate sister. In Paris however Espérandieu is already causing mayhem, having brought to life what was a safe museum egg but is now a very active pterodactyl. Paris 1911 may not be the healthiest place to be.
Samuel Pierret (Gilles Lellouche) is a nurse who saves the wrong guy — a thief (Roschdy Zem) whose henchmen take Samuel’s pregnant wife (Elena Anaya) hostage to force him to spring their boss from the hospital. A race through the subways and streets of Paris ensues, and the body count rises. Can Samuel evade the cops and the criminal underground and deliver his beloved to safety?
Romy (Diane Kruger) is on holiday in the USA with her French husband, Richard (Gilles Lellouche). But the journey quickly turns into a settling of old scores for this worn out couple. After an ultimate fight, Romy decides to break free. She cuts off her ties to a stable and secure life that has become alienating and escapes to the unknown.
Franck and Simon are both good cops. They work as partners. But their lives take a tailspin when Simon, driving drunk, causes a tragic car wreck. A few years later, out of the police, he is forced to take matters into his own hands when his family is in danger.
Pierre is marrying Héléna and he wants his wedding party to be first rate. For that he has reserved the services of Max Angély, a seasoned caterer, and his team. The reception is to take place in a sumptuous 17th century leisure castle and its beautiful park and the music to be supplied by an excellent DJ. The rich arrogant bridegroom demands that everything go according to plan. Max assures him that will be the case but what he fails to tell him is that his team is not absolutely above reproach. For instance, Etienne (as James), a second-rate entertainer, has replaced the top-level DJ; Adèle, Max’s short-tempered assistant, keeps causing embroilment ; Guy, the wedding photographer is a free-loading has been; Josiane, Max’s close collaborator and also lover, is on the verge of breaking up with him; Julien, a depressive ex-teacher turned waiter, once had a date with – the bride; Samy, an additional waiter, proves quite worthless. But Max, whose motto is “Always adapt!” is the persistent kind and will do everything to save the situation. Will he manage? That is the question.