PREY tells the story of Nathan (BEAU TRAVAIL’S Gregoire Colin) who is at a countryside retreat for a Fall family reunion that he expects to be particularly stormy. Claire, his wife, has to announce her pregnancy and there are tough decisions that need to be made to prevent the family’s pesticides business from closing down. But on the first night that the family gathers, a terrorized deer mysteriously attacks Claire’s father. The men decide to venture into the surrounding forest to find the reasons for the animal’s odd behavior. Carrying a shotgun for the first time in his life and witnessing the growing tensions between the men in the family, Nathan soon discovers that hunting season is not over yet. Now they’ve become the prey. Marking the debut film for Antoine Blossier, PREY brings together a special effects team from some of Hollywood’s best films.
Louis Trebor, a man nearing 70, lives alone with dogs in the forest near the French-Swiss border. He has heart problems, seeks a transplant, and then goes in search of a son sired years before in Tahiti. Told elliptically, with few words, we see Louis as possibly heartless, ignoring a son who lives nearby who is himself an attentive father to two young children, one named for Louis. He leaves his bed one night – and his lover – to kill an intruder; he dreams, usually of violence. Will his body accept his heart? Will his son accept his offer?
Jeanne is a director struggling with a difficult sex scene between two actors who can’t stand each other. Aided by her loyal assistant Leo, Jeanne is hell-bent on getting the scene right without compromise. Inspired by Breillat’s own experiences (particularly those in “Fat Girl”), “Sex is Comedy” explores the comedy of social manipulations, sex and power that takes place within the confines of a film set.