An old man, a young anthropomorphic koala, a South Pole penguin and Albert, a magic sentient walking and talking bowl of pudding with an attitude are searching for koala’s missing parents. However, sinister forces want the pudding.
Eastern Europe – a city torn by civil war – Present Day Jonah Ludovic writes in his journal. His poetry softening the cynical observations of a man living a self imposed penance. Wherever he came from and whoever he was, Ludovic is now alone, silenced by a crime unknown. Ludovic can hear the shelling of an imposing civil war. He can see the flashes of fire destroying a city that once was his home. He doesn’t move. He just writes. As daybreak arrives, the shelling has ceased. Ludovic makes his way to his job as a custodian at the local zoo. He is met at the gates by the fleeing staff. Ludovic chooses to remain behind, he has no where to go. Along with an elderly guard and a veterinarian, the three set out to care for the animals and hopefully protect them and themselves, from harm. It is not long before the war has reached the gates of the zoo. Dragov, the sociopathic captain of a local search platoon of nationalists, heightens the intensity of the senseless war with surprise visits and violence. Within days, the guard has disappeared and the veterinarian killed. Ludovic is left alone with the threat that he will be next. His solitude is broken with the arrival of Zioig. A wounded nine year old, who after miraculously escaping incarceration, has learned the skills of a vigilante. Ludovic wants nothing to do with the boy, who will bring nothing but trouble, but cannot turn the wounded child away. Ludovic’s frustration intensifies when a young woman, Ankica, makes her way to the zoo gates. Escaping from a concentration camp and aided by those in the underground, Ankica has made her way to the zoo in search of her son. The reunion successful, Ankica makes it clear that they will stay in the zoo together and Ludovic will help them to avoid re-arrest. Ludovic is at a loss. The war has intensified. The animals are on the brink of starvation. Without the animals, there is no job. Without the job, there will be no freedom. Although reluctant, Ludovic agrees and together, with Ankica and Zioig struggle to keep the animals alive. In reaching out they discover each other, their secrets and the hope that eventually finds peace, forgiveness and love.
Each Thursday, a man approaching middle age calls upon his father, aged, caustic, nihilistic, and emotionally distant, perhaps from the loss of a son in the Boer War and his wife soon after. On this day, the son suggests they attend a visiting guru’s lecture on the transmigration of souls. There they chat with a vicar and a soldier of fortune; dinner follows. Over glasses of Hungarian Tokay, the vicar, Dean Spanley, tells a story of friendship, freedom, and reincarnation. In what earthly way could this tale connect father and son?
In this film, told almost entirely in iambic pentameter, She is a scientist in a loveless marriage to Anthony, a devious politician. He is a Lebanese doctor in self-imposed exile, working as a chef in a London restaurant. They meet at a banquet and fall into a carefree, passionate relationship. But the contempt He perceives as a Muslim immigrant to the UK causes him to break up with She, offering little in the way of explanation, and return to his homeland. She drags his reasons out of him little by little and tries to sympathize. Keenly feeling the loss of his love, She flies to Havana to sort things out on the beach and in the cabarets. She sends him a ticket, but harbors no illusions that He will join her in this Carribean melting pot…
Sophie Hartley is convinced that she is being stalked. She becomes increasingly certain that her husband’s beautiful co-worker, Mara, wants her children, her husband and her life. But no one believes Sophie. Forced to prove her sanity, Sophie grows increasingly paranoid – but is she imagining things? Sophie becomes completely caught up in her obsession, turning stalker herself – and makes a discovery more frightening than her worst fear.
In Sydney, Tracey Heart is a thirty-two years old manager of a video shop ex-addicted in heroin and clean for four years. She is trying to raise forty thousand dollars to buy a shop for computer games on the next door of the rental and become partner of her boss, but based on her negative records, the banks deny the loan. Tracey takes care of her junkie stepfather Lionel Dawson, unsuccessfully trying to make him quit his heroin habit. When her former boy-friend Jonny returns from Vancouver, Tracey’s mother Janelle fears a fall of Tracey, while she blames Jonny for the car accident where her son Ray lost one leg. When Ray and Jonny associate to Moss, the assistant of the retired criminal boss Bradley ‘The Jockey’ Thompson, in drug dealing, Tracey is convinced by Jonny to join them and raise the necessary money for her business along the weekend.
Angel Deverell comes of age in Edwardian Cheshire knowing she will be a great writer. Rising above her class (her widowed mother has a grocery shop), Angel finds a publisher and a wide audience for her frothy romances. With royalties, she buys an estate, then she’s smitten by Esme, a rake from local aristocracy and an artist of dark temperament. She hires Esme’s sister Nora, who dotes on her, as a personal assistant, and pursues Esme. Angel is grandly self-centered, coloring her world as if it were one of her novels. When the Great War breaks out and reality begins to trump her will, can Angel hold on to her man and her public?
In the days before the July 19, 1969 space mission that marked humankind’s first steps on the moon, NASA was working with a group of Australian technicians who had agreed to rig up a satellite interface. That the Aussies placed the satellite dish smack dab in the middle of an Australian sheep farm in the boondocks town of Parkes was just one of the reasons that NASA was concerned. Based on a true story, The Dish takes a smart, witty, comical look at the differing cultural attitudes between Australia and the U.S. while revisiting one of the greatest events in history.
Based on the true story of Lindy Chamberlain. During a camping trip to Ayers Rock in outback Australia, she claimed that she witnessed a dingo stealing her baby daughter, Azaria, from the family tent. Azaria’s body was never found. Police noted some apparent inconsistencies in her story, and she was charged with murder. The case attracted a lot of attention, turning an investigation into a media circus, with the public divided in their opinions.